The Technical Method of Painting Coloring

1 direct coloring method. That is to say, after making the object shape outline on the canvas, laying the color with the idea of u200bu200bthe color of the image or the color of the picture is basically finished once, and the incorrect part is scraped off by the paint knife to continue the coloring adjustment. This painting in each dip of the paint is relatively strong, high color saturation, brush strokes are more clear, easy to express the vivid feeling when painting. After the mid-19th century, many artists use this painting more. In order to achieve a color after a full-color effect, we must pay attention to the use of gestures that Tu, commonly used coating is divided into flat coating, casual coating and thick coating. Flat coating is to use a one-way strength, uniform strokes painted large areas of color, suitable for smooth, stable composition in the shape of a static body; scattered Tu refers to the shape of the body according to the natural turning trend pen, brush strokes Loose, flexible; thick coating is full or partial thick pile of pigments, and some form up to a few millimeters of color or color, so that the texture of the paint to show the fun, the image has also been strengthened. As an artistic language, oil painting includes color, light and shade, lines, texture, brushwork, texture, light perception, space, composition and many other modeling factors, the role of oil painting techniques is to shape the factors integrated or focused individually reflected , The performance of oil painting material fully provides the possibility of using oil painting techniques on a second-degree flat foundation. The process of oil painting is that the artist consciously master the oil painting material, choose and use the creative process which can express the artistic thought and form the artistic image. Oil painting not only expresses the artist 's ideological content, but also shows the unique beauty of painting language - painting.
Alfred George Stevens art paintings

2 multi-level coloring method. When painting, first draw with the monochrome physical appearance, and then use color to create multi-level, the dark often painted thinner, the middle tone and bright layers of thick coating, or cover or stay, the formation of color contrast. As the thickness varies, showing the color of the rich rhyme meaning and texture. Transparent and opaque painting is not strictly different between the two, the artist often in a painting in the integrated use. The use of transparent color method can produce a stable, deep sense of volume and sense of space; opaque color law is easy to shape in the dark outside the body, to increase the color saturation of the screen. Before the 19th century painters mostly use these two paintings, making the work of the time is generally longer, and some painted after a long-term place by layer, until the color layer is completely dry and then painted.


3 transparent color method, that is not with white but only by the color of oil diluted paint for multi-level rendering. Must be dried in each layer after the next layer of color, because the color of each layer are relatively thin, the underlying color can be looming, with the formation of the upper layer of color subtle tones. For example, in the crimson layer coated with steady blue, will have a blue through the violet that the cold in the rich warm effect, which is often the palette can not be transferred out of the hue. This painting is suitable for the performance of the image of the texture and sense of solid, in particular, can vividly depict the characters delicate skin color changes, it is felt under the skin epidermis flow of blood. Its shortcoming is that the color gamut is narrow, the production process is fine, the work is completed for a long time, it is not easy to express the artist's immediate artistic creation emotion.
The development of the development of oil painting has gone through several periods of classical, modern and modern times. The oil paintings of different periods are under the control of the artistic ideology and techniques of the times, showing different appearance.